The next songs, most of them recorded in Monophonic, are really historical pieces, like theįirst two songs that Harrison, Lennon and McCartney recorded with The Quarrymen inġ958 ("That`ll Be the Day" and "In Spite of All the Danger", the last song credited to Job with this song called "Free as a Bird". With co-production credits to Jeff Lynne, they did a very good With the first "new song" recorded by Harrison, McCartney and Starr, who in 1994Īdded their parts to a incomplete Lennon`s song which was originally recorded in aĬassette in the late 70s. This "Anthology 1" 2 CD set is mostly of historical interest for the long time fans. Justification to release this "Anthology" series. Those bands who are almost loved everywhere (I think so), so there was some Those tracks are of really historical importance, others not, but The Beatles is one of Old albums to add to them previously unreleased tracks to bring the attention of oldįans again to sell them the same albums again. For other bands, it was to re-issue again Worked very well, particularly with their fans. Rehearsals, live tracks, unknown songs, etc. Release for the first time on CD their previously auto-rejected tracks, tracks recorded in The success of this "Anthology" CDs series opened the door for other bands to try to Ringo Starr / drums, vocals Releases information
Speech: Eric Morcombe and Ernie Wise (2:06)Ģ6. It remained at the top of the chart for three weeks, and was certified platinum in America after six weeks.6. It became the first Beatles album to enter the US Billboard 200 chart at number one, with 855,473 copies sold. The album was a global commercial success. The worldwide release date was 21 November 1995. The releaseĪnthology 1 was issued as a double CD and triple vinyl collection. Best used the missing portion on the cover of his 2008 album Haymans Green. Its centrepiece was an early image The Beatles which was torn to omit Pete Best, showing Ringo Starr instead. Voormann came up with an idea to paint The Beatles’ posters, photographs and album artwork with the effect of peeling layers, in a broad chronological order from left to right, charting the progression and development of The Beatles.Īnthology 1 featured the first third of the artwork.
Klaus Voormann, who had previously designed the cover art for Revolver, was contacted in the early 1990s by Apple Records’ Neil Aspinall to create the artwork for the entire Anthology project. Additional research and sleevenotes were by renowned Beatles scholar and author Mark Lewisohn, who had collaborated with EMI and Apple on a number of other projects.
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